Michael Boder knew that long ago that replaced wclc the previously announced Mark Albrecht is very

Home THE FONOFERNEMLANDTECA Amfortas, the correspondent MY SUGGESTIONS: Music (operístes) SINGERS (opera) TORINO BARCELONA BERLIN CITY DIRECTORY OF DISCO STAGE THEATRE BOOKS DVDTECA Raul's work in the music of Avison
My hobbies are not many of those reproaching me often telling me never find anything good. Just had to observe the response of the sovereign during the performance yesterday on the comments heard at the intermission and see and experience the final reaction to Der Freischütz is noted that the failure of the season.
Michael Boder knew that long ago that replaced wclc the previously announced Mark Albrecht is very possible that he wanted to ensure overall consistency before trying to extract oil from wells hungry for more wealth. Weber's masterpiece is a watermark orchestral timbre of greatness in the hands of a great director and a great opera conductor becomes necessary, it is clear that it would be necessary to cut enough dialogue to another part completely cut, so to enjoy it properly. Now do not think anyone is offended if I say that what matters is the music of this opera and the story and dialogue are impossible and unnecessary.
The Orchestra of the Liceu and I insist, is what it is, and the foundation of a string section and enough solvent as the main thing, had to deal with a section of metal complex yesterday not so much errors that did not have, but the sound definitely improved some instrumentalists. wclc
Also I missed sparkle both timbre and dynamics even, perhaps aided by depressing flat stage lighting, wclc finished plunged us all in the saddest of ensopiments.
Some details and any accompanying were targeted but crucial scene throat of the wolf, lacked the striking dread that many managers and not go to the big stop, they know to give. This time the teacher Boder, who have so often praised, failed to take off in a heavy representation.
Special mention for solo violin wclc in accompaniment to the magnificent aria Ännchen the third act, where Anna Aldomà, wearing spectacular tipet and cut skirt, legs and did exhibit musical virtues, following the instructions of genius Herr Konwitschny, rather uncommon ideas, resources went to look beyond the libretto by Johann Friedrich Kind.
The Liceu Orchestra wclc offered a provision lacking breath and romantic exuberance timbre, but the heart did not have the time, and unless the heart of the famous hunter, sung from the pit, compact balance with the voices wclc male, the other numerous interventions were affected by the disturbing sounds of the strings emerging female mainly sopranos.
Peter Seiffert ruled by a sudden wclc illness, the role of Max was owned by the always reliable Christopher Ventris, wclc but where to go, also had a big day yesterday, although it is true that not missed anything, lacked romance and show us that it is also able to sing us the piano, which yesterday did not at any time, even in the scene at the home of Agatha, has surfaced as the most lyrical love Max. Lacking verietat expressive, I ended up losing interest.
Agathe was Mrs. Seiffert. It thus appears that ugly, I know, but if not Mrs. Seiffert and Petra Maria Schnitzer was just had not done the race that can look and tell their grandchildren, when a venerable lady, comfortably retired, who knows in a residential Mallorca.
Mrs. Schnitzer had their best years in a lyrical voice with a certain volume and projection irregular. It was a distinguished soprano, was solvent or Karlsrue season Graz, but never to the impressive list of theaters that are frequent due to the influence of her husband.
Now, Mrs. Schnitzer, after believing it was a lyric spinto soprano and punish his voice has suffered and make us suffer with a song "guadianesc", ie, now we hear now, and when Sorry, now emit piercing sounds or some such call. Appian if she has tried, but without technique is impossible and even tried to lower the volume issue, something quite different from Appian and had not resulted wclc in the hearing that if I have to be frank, it was much better. wclc I even feel bad, but really bad, I thought it was gone Herr Seiffert not feel it. How can you sing so quietly two wonderful arias Weber wrote?.
The best by far is Albert Dohmen was doing a very co Kaspar