Švandovo Theatre in Prague coaching even brought to the stage. When I play CRY BABY CRY learned I had doubts. How did capture the delicate fabric of relations between the coach and coachee? hostess How is it possible in the game to show what is happening on both sides? I was worried that artists do not slip to the usual cliches about coaching, where the sublime and wise coach turns tápajícího the perfect hostess personality through some "funny" hostess outcome. Yet it is apparently comedy! Among fellow coaches about the game almost no one knew, but "coaching" your way to the theater and performance has found great success and is constantly sold out.
CRY BABY CRY's original production, directed by Martina Short and actor team Švandovo theater. hostess Theatrical hostess accelerated course in which five women try to figure out how they should change their lives. But we can not teach someone how to live and how to be happy? That is the question ... is the instructor of the course is a life coach in the administration of Michael Dlouhy and Jaroslav Smid. Each of the performers have created your character directly on the body, and it also corresponded to the outcome
My doubts about the concept of coaching in theaters scattered after the first minutes of the show. Each woman brings to the stage his "problem" of its reasons. Hyena Kristýna Frejová fleeing Peter Hřebíčková, mother Klara Cibulkova, singing Blanka Popková even before hostess people fleeing Reka Derzsi perfectly complementary. Their mode of presentation, how to choose the place in the classroom, is so apt!
The strongest performances moment for me is the way the director managed to Martin Short portray the inner monologues of all stakeholders. In these moments of hilarious comedy becomes more serious piece. We see what is going on in the heads of people who hide what they fear and what are ashamed or what their ulterior hostess motives.
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